Wilma Kirmse
27cm diameter framed in round embroidery hoop.
This embroidered piece was inspired by the Red Spotted Purple butterflies that return to my garden every summer. It was created on cotton that was indigo dyed and utilizes embroidery cotton, a leatherette cording, and couched textured yarn. The metallic thread was to represent the fluttering path of this beautiful garden .
$400

Tracy Fulton
Poppy 56cm x 53cm Unframed
The technique of wet felting is a tactile, meditative craft that has enabled me to find m y creative voice during this pandemic. Each of these pieces speaks to our capacity to endure. Wet Felting process, Merino Prefelt, Merino Wool Fiber, and Silk Hanky.
We will remember.
We are resilient
We have reconnected with nature. 
NFS

Theodora Rijkhoff
30.5cm x 30.5cm
Cotton, Silk, Yarn, Beads Pieced, Appliqué, Couching, Beading.
Warm colours sprang to mind when thinking about the creative spark that ignites my creativity. A self renewing source with endless possibilities.
NFS

Stacey Arthur
23cm x 23cm Octagonal
Embroidery on photograph, DMC embroidery floss on cotton broadcloth. I used a photo of my niece as the starting point for “The Hat” in a Canadian Embroiderer’s Guild, London class called “Painted Faces”.
NFS

Chantelle Marshall
30cm x 41cm
Mixed media: acrylic paint on canvas with embroidery.
NFS

Rosemary Schaefer
66cm x 66cm
Pieced and Embellished.
NFS

Carolyn Parks
50cm x 67cm framed
Wet Felting: Merino wool, silk,
NFS

Geri Noordam
25.5cm h x 25.5cm w
Fiber Art: Wet felted with Merino wool. Hand and Machine stitching.
$120.00

Rebecca Turner
30cm x 30cm
A whimsical piece created with paints, beads and buttons and then outlined by quilting with a sewing machine.
$50.00

Sheri Hearn Smith 
50cm w x 53cm h
Acrylic and cotton yarn. Free form crochet.

Jess Blackmore 
Roundel  36cm diameter
Image 16cm diameter
Silk foundation with cotton linen and silk threads. Built of many layers, the impression of a gradually building garden in bloom. Step back a bit to allow the impressionistic layers of thread to resolve into the garden and bench.
$400.00 in Embroidery Hoop

Deborah Downey
65cm x 164cm
Multimedia: Paper, fabric, old clothes, old jewellery, broken bits, road trash, dry pasta, chain, books, plastic toys, shells, chicken bones. The dragon took hours and hours, weeks and more than 9 months to produce.
NFS

Linda Carter
Fabric Collage, 100%cotton on tea-dyed linen.
Mixed textile highlights. Free motion quilted layers. The “Wild Rabbit” collage was constructed from textile scraps of varying sizes, shapes, patterns, shades and colours. The work was built up one layer and small detail at a time. All pieces were tacked in place with modest specks of glue. Tulle was use in areas to soften a colour or to create graded shades. To hold everything in place and to add texture, the collage was free motion quilted.
NFS

Kim Wilkie
Mixed Media 45.5cm x 45.5cm x 3.5cm
Acrylic paint on canvas with clothes line cording punched through the canvas. Each cord has its inner pinnings exposed at its ends and is cinched with polyester gold thread around the ends. The clothes line cording protrudes away from the canvas at different depths. My signature is crochet string embroidered bottom right.
NFS.

Jennifer Smith Windsor
Mixed Media 38.5cm x 38.5cm
Found rusted fragments with silk organza, lace, beeswax and embroidery floss.
Rusted fragments found in the sand are the protagonists for Rusted. This rusted detritus, discarded by man, claimed and reworked by nature, retrieved once again by man, is an affecting reminder of the ravages of time. Adorned with silk organza and waxed lace, the discarded is transformed into an object of elegant beauty.
$275 Framed

Barbara Helen Hill
Mixed Media 23cm x 23cm
Fabric wire armature, beads, ribbon, trims, embroidery threads. The picture of the Sea Horse represents the elementals that take care of the water. I don’t have any idea what the elementals look like’ they probably aren’t sea horses, but I liked the idea of the animals, fish, amoeba, etc all taking care of the water.
$350.00 Framed

Adele Corke
25cm x 25cm
Needle weaving using hand dyed threads and fibers in some of my favourite colours and textures.
I have been a maker since I learned to knit and crochet, but it didn’t stop there. Hand and machine embroidery, paper and visible mending have become a consuming passion, providing me with both a creative outlet and mindfulness.
$200

Patricia Ferries
This map is a handstiched representation of London On based on the 1915 National Topographic Series Maps. It is stitched on linen using four stitches: straight stitch, backstitch, split stitch and French knots. The one aspect that always catches the artist’s eye is the Thames River and the large part it plays in the landscape as it meanders through London. Living in London people often do not appreciate the significance of the Thames and how it influenced the broader landscape.
NFS

Deli Walker
21cm w x 22.5cm h
Hank stitching, bead work and layered net appliqué. Materials: Netting, beads, silk and cotton threads, gold braid. “A Mixed Bunch” started life many years ago as a project with coloured fine netting but it only reached the stage of pieces being basted to fabric, and it was then discarded in favour of other projects. With the help of Anchor, DMC and silk threads, beads and gold braid I was able to turn the bits of netting into “A Mixed Bunch”.

As I worked, I realized I was attempting to achieve with my mixed colours, what so many are doing in the world, attempting to create harmony out of the seeming impossible.
$400